Guest-edited by Cornelius Tittel of Die Welt, our cover dossier on PICASSO AND THE GERMANS IN 1913 takes us back to a European society on the verge of catastrophic change. It was the ground zero of modernism, and while Picasso was denounced as the “Cubist Bluff,” a small yet significant group of German-Jewish dealers embraced the painter who would go on to become the greatest artist of the century.